Here are the 16 programs I watched in August. New programs that I had not seen previously are marked with an asterisk. All programs are rated on a scale of 1-5 cans of tuna fish, with numbering picked up from the previous months.
97. Her Name Was Grace Kelly* (2024, PBS) – With an apt name for a woman of grace and beauty, actress Grace Kelly had a short but storied career. At the age of 26, she retired from acting and moved to Monaco to marry Prince Ranier and begin royal duties as the Princess of Monaco. This PBS documentary takes a close look at this talented American actress who became a real-life princess. 3 cans.
98. Elizabeth Taylor: The Lost Tapes* (2024, HBO) – I’m glad someone found this treasure trove of recordings of Elizabeth Taylor telling her own story. She was a star as a young girl and only knew fame for her entire life. It’s hard to keep up with the marriages, but between romantic conquests, Taylor turned in some great performances in movies like Who’s Afraid of Virigina Woolf, Cat on a Hot Tin Roof and Butterfield 8. But it was her romantic entanglements that led to the rise of the paparazzi, a roving mass of photographers determined to get a picture of Liz and her latest paramour. She started as a star and ended as a fighter for AIDS research. What an interesting life! 3½ cans.
99. Gods of Tennis* (2024, PBS) – This 3-part documentary series takes us back to the rise of tennis in popularity in the 1970s and 1980s, as rivalries between its brightest stars heated up. First there was the emergence of Billie Jean King and Arthur Ashe, not rivals on the court, but in the court of public opinion, with Billie Jean advocating for pay equity and Arthur Ashe taking positions on apartheid. Both Wimbledon winners, they commanded a lot of attention (and it was especially comforting to see Ashe ward off brash young Jimmy Connors). Then Swede Bjorn Borg made it to the top, reeling off consecutive wins at Wimbledon and challenged by his on-court opposite, irreverent John McEnroe. And finally, America’s sweetheart, Chris Evert, was challenged by Czech player and eventual US citizen Martina Navratilova. They played each other nearly 100 times. There are great memories included here and it was fun reliving those times, which is when I initially became a fan watching these players. 3½ cans.
100. The Sopranos (1999-2007, HBO) – HBO launched this outstanding series 25 years ago, and I thought this would be a good time to revisit it, so I watched all 86 episodes in about 6 weeks. There is too much drama and detail to get into in depth here, but the story centers around Tony Soprano (James Gandolfini), mob boss, husband and father, who sees a therapist to help him with his problems in between ordering hits on his enemies or knocking them off himself. The nuances (if a brutal show can have nuances) balance the action. The show is so well cast that it is impossible to imagine anyone else playing his beleaguered wife, Carmela (Edie Falco), who knows but doesn’t really want to know the source of his income; his nephew Christopher (Michael Imperioli); his therapist (Lorraine Bracco) and his many cronies – Paulie, Silvio (E Street band member Steven Van Zandt), Pussy, Bobby, Uncle Junior, Janice and his evil mother (Nancy Marchand). The writing is impeccable, the acting superb, the direction is perfection and the locations are familiar to all of us who know NJ. Kudos to creator David Chase and his team for making what can be considered the best series of all time. There is plenty of violence but there is also humor and a deep sense of family – blood family (ironically) and “work” family. If you have HBO Max and have 86 hours to kill, check it out. 5 cans.
101. Presumed Innocent* (2024, Apple TV+) – I remember the original Harrison Ford movie based on Scott Turow’s book. This 8-part series was much darker, tenser and longer than the movie and I honestly couldn’t wait until it ended. Maybe if I hadn’t seen the original movie I would have liked it better. But no one here had any redeeming value; each character was flawed, evil, narcissistic or unfaithful or something that made me not like them or the story. 3 cans.
102. At Witt’s End* (2024, Netflix) – I love a good Dateline-like mystery as much as the next person, but this four-parter on Netflix was excruciatingly long (and was labeled “season 1,” so expect a follow-up; the mystery was not solved at the end of the season). You know the story: Young woman disappears from her local community, everyone says she would never do that, huge search is launched and eventually her body is found. So who done it? You have to go though painstaking police work done over decades to get examine the events. I don’t need such lengthy scrutiny over the possibility of DNA on a cigarette butt from 30 years ago. Maybe this could have been just a one-part program. Pardon me, Netflix, while I return to Keith Morrison and Dateline. 3 cans.
103. Timebomb: Y2K* (2024, Max) – Think about it: 25 years ago we were worried about the impending doom that might result from the dawn of a new millennium. Computers programmed with two digits for the year might inadvertently switch to 1900 instead of 2000. Predictions of systems crashing, of food and other necessities being in short supply, of power outages and other disasters were enough to scare the general population. This documentary features so-called “experts” -- but who could be an expert on something so unprecedented? Here you will see the concern of average Americans, workers and people in our communities as they come to terms with the inevitable passage of time. I hope I don’t ruin it for you when I tell you that we survived. 3 cans.
104. The Accidental Twins* (2024, Netflix) – In the documentary, then two women spot someone they know who doesn’t recognize them, a chain of events begins that leads the confused man to find out he has a twin and a brother he didn’t know he had. The men grew up in different parts of Colombia, each with a brother, unaware that miles away was their real family. There are two sets of identical twins here, accidentally separated when one baby is sent for medical care and returned to the wrong family. What makes us related? How much DNA makes the bond between brothers and how much is the situation in which you are raised? The movie is done with Spanish subtitles so you have to pay attention to understand the action. 3 cans.
105. Wicked Little Letters* (2023, Netflix) – Somebody in the conservative British village of Littlehampton likes to write letters – crude, brash, profane letters – all received by the quiet, shy Edith Swan (Olivia Colman). The meddling neighbors are convinced the culprit is a vocal and tough young Irish woman, Rose (Jessie Buckley), a former friend of Edith, and both the police and the community set out to prove their case. After all, it was Edith who contacted the authorities on her loud and disruptive neighbor, so could these obscenity-filled diatribes be retribution by Rose? This cheeky film is based on a real incident from the 1920s and is well-played here. 3½ cans.
106. Jim Henson, Idea Man (2024, ABC-Disney) – Every now and then someone comes along with an idea for entertainment that is unique to his personality and skill set and like nothing we have ever seen before. Jim Henson was a writer, director, puppeteer – it is impossible to adequately describe the visionary man who brought us the Muppets. This documentary by director Ron Howard explores the mind of Henson, taking us beyond just a list of achievements and providing a chance to understand his artistry from behind the scenes. His Kermit the Frog (which he voiced), Miss Piggy, Big Bird and so many other characters brought joy and education into countless homes. His deal with Children’s Television Workshop introduced his beloved characters to young children, who learned by watching them for free on PBS. The Muppet Show, The Muppet Movie and a stint on Saturday Night Live exposed these characters to a wider, adult audience. Despite his death at the age of 53 in 1990, Henson left behind a huge body of work and a world that continues to flourish in his absence. 4 cans.
107. Daughters* (2024, Netflix) – This documentary is the moving story about a group of men incarcerated in a Washington, DC, prison who are participating in a program called “Dance with Dad.” For 10 weeks, they have to meet as a group with a life coach to prepare them to reunite for one evening with their young daughters, a chance for them to dress up and dance with their girls. The program forces them to reevaluate their relationships with their daughters and their responsibilities as parents. Many of the men have had sporadic or no opportunity to see or spend time with their children, and the little girls are as nervous and excited as their dads. If you watch it, stick around for the very end to see how this 12-year-old program has made a difference. Parts of this – with the children and the dads – just touched my heart. 4 cans.
108. The Murder of Laci Peterson* (2024, Netflix) and 109. Face to Face with Scott Peterson* (2024, Peacock) – These two documentaries were released within a week and each covers the case of Lacie Peterson, a pregnant wife who went missing in 2002 and who subsequently was found dead in a marina miles away from her home in Modesto, California, in the same place where her husband Scott told police he had gone fishing on Christmas Eve day, the day she disappeared. The first program focuses on Laci’s family, their initial support for Scott, and the subsequent fall-out when his affair with Amber Frey is revealed, up through his trial and conviction. The second series starts after the trial, interviewing Scott in prison, where he is serving a life sentence. Peterson rejects the circumstantial evidence in his case and his defense attorneys – including his sister, who became a lawyer to assist with his legal proceedings – are still pointing fingers at the local police department for withholding or failing to investigate clues that could identify someone else responsible. I have followed this case since it started in 2002, when it dominated the news. Watch only if you are a true crime junkie. 3½ cans each.
110. Betrayed* (2024, Hulu) – There are two seasons to this documentary series, each presenting a 3-part story of husbands who have betrayed their wives and families in a most egregious way. I won’t give away their despicable acts, but that’s just part of it. The amount of emotional abuse and manipulation by these men is astonishing. And when they say they are sorry, you naturally wonder if they are sorry for their transgressions or sorry they were caught. This series is disturbing and addictive. 3½ cans.
111. Lie to Fly* (2024, FX and Hulu) – This broadcast is part of “The New York Times Presents,” an investigative series on a wide range of topics. This one focuses on the mental health issues experienced by airplane pilots, whose actions affect the lives of all passengers on board their flights. Pilots with issues that might be addressed by medications the rest of us can take are not able to use those medications and retain their flying status. Some resort to other ways to address their problems, and, as this show reports, some have intentionally crashed their planes because they just could not cope with their problems. The jurisdiction over pilots’ health and safety are unclear, with involvement by the FAA and the National Transportation Board. This is an intriguing issue that needs much more scrutiny. 3 cans.
112. Remembering Gene Wilder* (2024, Netflix) – He was the Cisco Kid in “Blazing Saddles” and Leon Bloom in “The Producers.” Gene Wilder didn’t play ordinary people, and his characters in “Stir Crazy” and “Young Frankenstein,” which he wrote, demonstrate his ability to evoke laughter from the oddball folks he portrayed. The documentary traces his career from stage to screen, his marriage to the late Gilda Radner from “Saturday Night Live” and his last years in the grip of Alzheimer’s. If you like Gene Wilder, don’t miss this one. 3½ cans.
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