Tina's August Movies

Between the Olympics and social obligations, I only had a chance to see 7 movies in August, including two on Lifetime TV, thereby breaking my rule against watching movies with commercial interruptions. Next month I will try to do a better job. Numbering picks up from the previous month, and movies marked with a * are ones I haven't seen previously.

89. In & Out (1997) – Kevin Kline stars in this funny farce about a high school teacher/drama coach who is “outed” at the Oscars by a former student who wins the award for best actor (and the scenes of his movie are hilariously bad). About to marry a fellow teacher (Joan Cusak, who almost steals the show), Kline vehemently denies the charge that he is gay, though he is forced to examine his love for all things Streisand and whether he can forego dancing to “I Will Survive.” Tom Selleck, a TV reporter assigned to the story in rural Greenleaf, Indiana, reveals that he, too, is gay. Debbie Reynolds and Wilfred Brimley play Kline’s parents and Matt Dillon is the Oscar-winning actor in a story that poses the question, “Is everybody gay?” All I know is that everyone is laughing, because this is a funny and charming movie. 4 cans.
90. Hope Springs* (2012) – Whenever there is a Meryl Streep movie out, you go to see it full of hope that it will be memorable, outstanding and entertaining. “Hope Springs” qualifies on the lowest rung of that scale. Meryl and Tommy Lee Jones are an old married couple in this “romantic” comedy, going through the motions of a dull and drab life together in their empty nest. He comes down for the same breakfast every day and silently reads the headlines while she serves him. In the evenings, he falls asleep in the recliner watching the Golf Channel before retreating to his bed in the guest room, while she pines for intimacy, romance and any conversation that doesn’t involve someone’s tax returns. Realizing they need help, she signs them up for a $4000 week of couples therapy in Maine, which he insists is not only completely unnecessary – isn’t the fact that they have been married 31 years enough to show they have a successful marriage, he ponders – but way too expensive. She decides to go anyway, and he reluctantly joins her. Steve Carrell is completely wasted in the role of the sincere and helpful therapist who gets the recalcitrant couple to do things they haven’t done in years – and possibly ever (and I was more that a little uncomfortable watching Meryl stoop to some of the assignments). I wish there had been more comedy here – can you imagine Bob Newhart as the therapist? – but any movie with Meryl starts with at least one can. Jones is a good match for her, as grumpy as she is sincere, but overall, despite a few humorous moments, there is a lot of pain to witness here. OK, but not great. Sorry, Meryl. 3½ cans.
91. Anywhere But Here* (1999) – Susan Sarandon and a very young Natalie Portman play mother and daughter Adele and Ann August. Flighty Adele moves her 14-year old from her familiar surroundings in Wisconsin to Beverly Hills, despite the fact that they can’t afford to live there. The eternal optimist – except when she takes to her bed in a fit of depression – Adele is determined to make their meager existence better, even if it means lying to do so. Who is the mature person in this relationship, you wonder. Sarandon and Portman give outstanding performances as the eccentric mother and the sometimes sullen teenager. Ann realizes she needs to break free of her mother, but Adele is not about to let go easily. I somehow had missed this movie that I always had wanted to see, and I am happy I finally caught up with it. 3½ cans.
92. J. Edgar* (2011) – Leonardo DiCaprio is J. Edgar Hoover in Clint Eastwood’s biopic about the man who led the FBI for nearly 50 years. Fiercely loyal to the agency and protective of the U.S., Hoover became more powerful than virtually anyone in the country. He pioneered the establishment of a federal registry for fingerprints and championed the federal legislation on kidnapping after conflicts with NJ law enforcement during the Lindbergh baby’s disappearance. A vengeful man, he didn’t hesitate to take credit for things he didn’t do or to establish an enemies list that even Richard Nixon could envy, tracking the private lives of anyone who disagreed with him or crossed him. Ironically, he had a long-term relationship with a man he hired at the FBI, Clyde Tolson (Armie Hammer), all the while railing against homosexuals. This movie depicts a zealot who abused his power absolutely, answered to virtually no one yet remained devoted to his mother and his job. DiCaprio looks more like Philip Seymour Hoffman than Hoover, but he does a credible job, looking angry enough to burst at the seams throughout the movie. It was hard for me to separate my disdain for Hoover from the credibility of the movie, but Eastwood and DiCaprio do a good job of shedding light on a very dark man. 4 cans.
93. Air Force One (1997) – Harrison Ford plays the very brave and resourceful president of the U.S., who is forced to outwit, outplay and outlast the bad guys who take over his plane in this action-adventure. Indiana Jones as president, I guess. Glenn Close plays the VP, manning the Washington contingent and trying to deal with terrorist Gary Oldman as he systematically executes the passengers on the aircraft. Who knew Air Force One was so huge? There are sets of stairs, conference rooms, a huge office and lots of places to run and hide, which helps the president in his retaliation against the terrorists. I’m not a big action fan, but having the action in a confined space that no one else can enter makes this story an intellectual as well as physical fight. I hadn’t seen it since it appeared in the theater 15 years ago, and I’m probably good for another 15 before seeing it again, but as action movies go, this one really takes off. 3½ cans.
93. & 94. Fatal Honeymoon* (2012) and Natalie Holloway* (2009) – I don’t generally watch Lifetime TV’s heroine in distress movies, but I was familiar with both of the cases on which these dramas were based, so I watched them back-to-back one night when nothing else was on. Both are based on stories of attractive young women whose fate is sealed when they find themselves with sociopathic guys who will do them harm and refuse to tell the truth. “Fatal Honeymoon” is the story of Tina Watson, a Southern beauty who falls for Gabe, a manipulative creep whom her father (Harvey Keitel) immediately recognizes as the wrong guy for his precious daughter. Gabe marries her then hauls her off to Australia for their honeymoon so they can scuba dive around the Great Barrier Reef – despite her lack of experience as a diver and her expressed fears. She mysteriously drowns, and there is plenty of evidence that he either disconnected her air supply or, as a certified rescue diver, should have been able to save her. Her father pursues the case vigorously, eager to see his son-in-law of 11 days pay for what he is sure is his daughter’s murder (his motive? Collecting on the life insurance policy her urged her to take out but which she ultimately did not do.). In “Natalie Holloway,” Tracy Pollan delivers a gritty performance as Beth Twitty, the anguished mother of 18-year old Alabama high school graduate Natalie, who goes off with her friends and classmates on a celebratory trip to Aruba, meets Joran Van der Sloot and is never seen again. Desperate to find her, Twitty arrives in Aruba and takes on the lax investigation by garnering as much media attention as possible to force Joran to tell the truth. Neither of the parents in these movies can possibly be satisfied with the outcome of their cases, so there is a strong parallel here. And the lessons learned are that kids who drink can end up as tragedies, and parents who worry too much are probably right. 3 cans a piece.
95. Zorro the Gay Blade* (1991) – Sometimes when someone recommends a movie highly I worry that it cannot possibly live up to the hype and that I will be disappointed. This was definitely not the case in this campy and outrageous version of Zorro, with George Hamilton playing the title role and also playing the hero’s twin brother, “Bunny.” Hamilton is all arched eyebrows and megawatt smiles as he attacks this role with more relish than you can find on all the hotdogs at Nathan’s on July 4th. Whether facing off against his arch enemy, the autocratic altalde (Ron Liebman, delightfully evil) or fending off advances from the altade’s wife (Brenda Vaccarro – remember her?), Hamilton is dashing and dazzling. If I didn’t know better, I’d say Mel Brooks directed this romp, and it is almost on a par with his brand of inspired lunacy. Lauren Hutton chips in to the hilarity as a woman out to do good who falls in love with Hamilton. There are duels galore, lavish sets and costumes and enough of a “pronounced accent” that I might just have to see it again to catch all of the good lines in missed. I urge any of you “pipples” who may have missed this gem to rent it or catch it on TV. 4 cans.